Dangdut in contemporary

Dangdut Rhoma Irama make berdakwahnya as a tool , which is visible from the lyrics of his songs as well as the issuance of the statement itself . This is one of the triggers polemic in Indonesia in 2003 , due to stage protest against the style dangdut singers , including Inul, the rocking ngebor labeled decadent and "moral damage " . Much earlier , dangdut has also been invited debate and ended with a ban on the celebration stage dangdut Sekaten in Yogyakarta . The debate arises again due to stage style singer ( female) was considered too " open " and bad taste , so it is not in accordance with the mission Sekaten as a religious celebration . Dangdut is agreed upon by many as the music that carries the aspirations of lower-class society with all its simplicity and kelugasannya . This characteristic is reflected in the lyrics of the song as well as the building . Sensational style stage can not be separated from the breath . Stage political campaigns also utilize modern dangdut popularity to attract the masses . Dangdut issue as a political tool also burst when Basofi Sudirman , at the time as Golkar functionaries , singing dangdut songs . [ Citation needed ] Although dangdut associated with poor lower class people , not just a favored means dangdut lower class . In any event entertainment , dangdut certainly participate enliven the situation . Dangdut stage can be easily found in various places . Entertainment venues and special disco play dangdut songs are often found in large cities . The radio station broadcasts claiming to be " radio dangdut " is also easily found in various cities .